{"id":22145,"date":"2019-02-02T14:30:11","date_gmt":"2019-02-02T11:30:11","guid":{"rendered":"http:\/\/odessaphil.org.ua\/press\/"},"modified":"2019-08-13T20:26:46","modified_gmt":"2019-08-13T17:26:46","slug":"press","status":"publish","type":"page","link":"https:\/\/odessaphil.org\/en\/press\/","title":{"rendered":"Press"},"content":{"rendered":"<div  class=\"vc_row vc-row-wrapper vc_custom_1557310581809\"  data-parallax_sense=\"30\"><div class=\"wpb_row row\" >\n\t<div class=\"twelve columns vc-column-extra-class-69e7bc71557cc\"  data-parallax_sense=\"30\">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"10\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 10px;\"><\/div><div class=\"dfd-heading-shortcode\"><div class=\"dfd-heading-module-wrap  text-center style_01 \" id=\"dfd-heading-69e7bc7155d3b\" ><div class=\"inline-block\"><div class=\"dfd-heading-module\"><h2 class=\"dfd-title \" style=\"\">Press<\/h2><div class=\"dfd-heading-delimiter\"><\/div><\/div><\/div><\/div><script type=\"text\/javascript\">(function($) {$(\"head\").append(\"<style>#dfd-heading-69e7bc7155d3b .dfd-heading-module {}#dfd-heading-69e7bc7155d3b .dfd-heading-delimiter {border-bottom-style: solid;width: 80px;border-bottom-width: 1px;}#dfd-heading-69e7bc7155d3b .dfd-heading-delimiter {margin-top: 10px;margin-bottom: 10px;}<\/style>\");})(jQuery);<\/script><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"10\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 10px;\"><\/div><div id=\"dfd-call-to-action-69e7bc715642f-3031\" class=\"dfd-call-to-action-wrap  style-1 cr-animate-gen\" data-animate-type = \"transition.fadeIn\"><div class=\"call-to-action-container\"><div class=\"content-block\"><span class=\"main-tilted-decoration\"><\/span><div class=\"main-alligned-container\"><div class=\"icon-wrap selector\"><i class=\"featured-icon bubbles-News\" style=\"font-size:40px; color:#ffffff; \" ><\/i><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big\" style=\"\">Archive of feature articles in the international press<\/div><\/div><\/div><\/div><div class=\"button-block\"><span class=\"button-tilted-decoration\"><\/span><div class=\"button-container\"><a href=\"http:\/\/odessaphil.org\/en\/press-articles\/\"    class=\"button\" style=\"\"> Read<\/a><\/div><\/div><\/div><script type=\"text\/javascript\">(function($) {$(\"head\").append(\"<style>#dfd-call-to-action-69e7bc715642f-3031.style-1 .content-block {padding-left: 35px; padding-right: 40px;}@media only screen and (max-width: 799px) {#dfd-call-to-action-69e7bc715642f-3031.style-1 .content-block {padding-right: 35px;}}#dfd-call-to-action-69e7bc715642f-3031.style-1 .button-block {padding-left: 40px; padding-right: 35px;}@media only screen and (max-width: 799px) {#dfd-call-to-action-69e7bc715642f-3031.style-1 .button-block {padding-left: 35px;}}#dfd-call-to-action-69e7bc715642f-3031.style-2 .content-block {padding-left: 40px; padding-right: 35px;}@media only screen and (max-width: 799px) {#dfd-call-to-action-69e7bc715642f-3031.style-2 .content-block {padding-left: 35px;}}#dfd-call-to-action-69e7bc715642f-3031.style-2 .button-block {padding-left: 35px; padding-right: 40px;}@media only screen and (max-width: 799px) {#dfd-call-to-action-69e7bc715642f-3031.style-2 .button-block {padding-right: 35px;}}#dfd-call-to-action-69e7bc715642f-3031 .content-block, #dfd-call-to-action-69e7bc715642f-3031 .button-block {padding-top: 35px; padding-bottom: 35px;}#dfd-call-to-action-69e7bc715642f-3031 {border-radius: 6px;}#dfd-call-to-action-69e7bc715642f-3031 .icon-wrap.custom {min-width: 70px;}#dfd-call-to-action-69e7bc715642f-3031 .button-container i {color: #ffffff;}#dfd-call-to-action-69e7bc715642f-3031 .button-container i {font-size: 15px;}<\/style>\");})(jQuery);<\/script><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"40\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 40px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc7156b80\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 title-subtitle-nowrap dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-3-3-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by Gramophone Magazine\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\"The rise and rise of Ukraine's Odessa Philharmonic, under their dynamic young American chief, Hobart Earle, must rank as one of the unlikeliest stories to have emerged from the classical music world in recent times. Who could have foreseen that this once prosperous center of commerce and now impoverished provincial backwater of the former Soviet Union would, within a period of a couple of years or so, produce an orchestra capable of making music of such sustained eloquence and personable character? Critics the world over, from Vienna to New York to Moscow, clearly know a good thing when they hear it.\"<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">Gramophone Magazine<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc71577c1\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 title-subtitle-nowrap dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-2-3-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by The Independent (London)\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\"Their sound was quite hypnotic - with a rich, creamy texture to rival any crack team from Berlin or Vienna, and quiet playing that grabbed the attention like an urgent whisper.\"<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">The Independent (London)<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc715806e\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 title-subtitle-nowrap dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-4-3-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by Wiener Zeitung (Vienna)\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\"The Odessa Philharmonic Orchestra gave its first performance in the Musikverein (in June 1992) under Hobart Earle ... the orchestra possesses some remarkable qualities. The strings, for instance, are of breathtaking sophistication.\"<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">Wiener Zeitung (Vienna)<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc7158cae\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 title-subtitle-nowrap dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-5-3-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by Sunday Times (Perth, Western Australia)\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\"Strings often dominate in East European orchestras and the winds are often indifferent and left to look after themselves. Not so with the Odessa: there is a match of brilliance between the departments which suggest the makings of a great orchestra.\"<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"line-height: 20px; \">Sunday Times (Perth, Western Australia)<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc7159624\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 title-subtitle-nowrap dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-5-4-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by Stuttgarter Zeitung\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">The young American conductor Hobart Earle has been working with these musicians for the past five years, and one can hear that this continuity has paid off. Anyone acquainted with the smooth unattractiveness of many performances by renowned orchestras, prepared by their hard working jet-set conductors in two or three rehearsals just as far as necessary to ensure that transitions do not fall apart, will value so much more this type of solid music making with its sweeping sense of structure founded on detail.\u201d<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">Stuttgarter Zeitung<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc7159f44\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 title-subtitle-nowrap dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-6-3-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by Chicago Tribune\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\u201cFor most American audiences, the word Ukrainian probably does not call up a very vivid image, unless it is colored Easter eggs. The Odessa Philharmonic Orchestra will change that if enough of us hear it. In its American debut at Orchestra Hall Friday, the orchestra showed that it could join the top rank of American orchestras without breaking step ... Earle has Odessa in fine form.\"<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">Chicago Tribune<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc715a7fd\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-7-2-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by Toronto Star\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\u201cIt didn\u2019t take many measures of the Prokofiev to demonstrate what a solid orchestra this is, with a particularly fine string section \u2026 the orchestra played with plenty of spirit.\u201d<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">Toronto Star<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc7165777\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 title-subtitle-nowrap dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-5-3-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by Sunday Times (Perth, Western Australia)\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">This was an honest, gutsy performance in the playing, too, with the magic of Strauss being brought to life. Conductor Hobart Earle secured much of the same integrity of performance from his players in Mahler Symphony No. 2 - The Resurrection ... this must go down as one of the best performances of Mahler in Perth.\"<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">Sunday Times (Perth, Western Australia)<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc7165d06\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-3-3-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by Gramophone Magazine\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\"One of the musical success stories of the post soviet countries has been Hobart Earle's association with the Odessa Philharmonic Orchestra. Conducting in it first in 1991, he forthwith set about making it widely known... .to give the orchestra what is now a world-wide reputation.... The city has produced David Oistrakh, Nathan Milstein and the Menuhin ancestors. No wonder the strings sound good on this record.\"<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">Gramophone Magazine<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc716640c\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 title-subtitle-nowrap dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-8-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by The Daily Telegraph (London - Classical CDs)\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\"Played with vigour and richness by the Odessa Philharmonic under its Venezuelan-born principal conductor.\"<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">The Daily Telegraph (London - Classical CDs)<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc7166ef8\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-9-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by Stuttgarter Nachrichten\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\u201cHobart Earle motivated the Philharmonic musicians from the Black Sea to compensate for the initial disadvantage of their average instruments through calm phrasing and subtle projection of tone: more even \u2013 through this inner calm to achieve a beautiful, singing sound.\u201d<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">Stuttgarter Nachrichten<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc7167b2c\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-10-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by The Washington Post\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\"The string's evenness of tone was impressive.\"<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">The Washington Post<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc71684fb\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 title-subtitle-nowrap dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-11-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by Rheinische Post (D\u00fcsseldorf)\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\"What the Odessa Philharmonic Orchestra has to offer can be favorably compared almost anywhere in the world. Such precision in a string section is rarely heard. It is even rarer for a big orchestra to play with such balance of tone color at the wildest moments.\"<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">Rheinische Post (D\u00fcsseldorf)<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc7168e61\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-12-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by Nice Matin\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\u201cLes oreilles furent comblees, l\u2019orchestre se distinguant par une remarquable homogeneite de son et la couleur des timbres. On ne pouvait mieux diriger que ne l\u2019avait fait Hobart Earle. Petillant et enchanteur.\u201d<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">Nice Matin<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc7169925\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-13-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by USA Today\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\u201cIts new recording of contemporary Ukrainian composers sounds remarkably good.\"<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">USA Today<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc716a2a9\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 title-subtitle-nowrap dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-14-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by Bonner Rundschau\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\u201cHobart Earle has led the orchestra successfully on tour abroad for several years. As now in Bonn, he has also presented complete programs of Russian music elsewhere, not forgetting music that has been relegated to the bookshelves. Borodin\u2019s second symphony can be considered a true rarity, and Earle showed himself to be like a real Russian, calling forth all the depth and passion of the slavic soul in the performance of this piece.\u201d<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">Bonner Rundschau<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc716aedb\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 title-subtitle-nowrap dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-15-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by Die Presse (Vienna)\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\u201cThe second of two New Year\u2019s concerts showed that Earle and his orchestra have almost perfected the idiom of the Viennese waltz. The musicians brought the scores to life with great concentration, and without overlooking all the subtleties not written in the music. Earle presented elegant waltz-tableaus and sustained the atmosphere for the audience through refined phrasing.\u201d<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">Die Presse (Vienna)<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc716b5ef\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 title-subtitle-nowrap dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-15-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by Die Presse (Vienna)\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\u201cStill to come was the resounding finale, an imposing performing of Tchaikovsky\u2019s fifth symphony. Earle summoned a symphonic surge from his orchestra that carried all before it until the very last note of this long and strenuous work. Every group in the orchestra put heart and soul into the challenge to bring the matinee concert in the Musikverein to an impressive close.\u201d<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">Die Presse (Vienna)<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc716b983\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 title-subtitle-nowrap dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-16-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by Fanfare Magazine\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\"The Odessa Philharmonic Orchestra playing superbly under its young American conductor, Hobart Earle.. - repertoire played and recorded with great panache.. .this release will not let you down.\"<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">Fanfare Magazine<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc716c0ba\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 title-subtitle-nowrap dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-17-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by The Financial Times (London)\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\"...a Brahms second symphony of white-hot intensity, tensile strength and unflagging sense of purpose.\"<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">The Financial Times (London)<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc716ca00\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 title-subtitle-nowrap dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-5-4-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by Stuttgarter Zeitung\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\u201cIn Shostakovich\u2019s 5th Symphony, as with Mahler\u2019s symphonies, one of the principal tasks of the conductor is to bring consistency to heterogeneity, to build the overall context. Anyone setting out merely to \u201cplay correctly\u201d risks permanent boredom. Not Hobart Earle. The ambiguity he exposed in this only outwardly affirmative work, the way he built up the lines of thematic development, marks him out as a truly important conductor.\"<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">Stuttgarter Zeitung<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"20\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 20px;\"><\/div><div id=\"dfd-ttestimonials-module-69e7bc716ce4f\" class=\"dfd-testimonial-item hide_shadow show_triangle align-center  style-1 layout-15 title-subtitle-nowrap dfd-img-lazy-load \" ><div class=\"image-wrap\"><img  src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 90 90'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2017\/12\/\u0411\u0435\u0437-\u0438\u043c\u0435\u043d\u0438-18-135x135.jpg\" width=\"90\" height=\"90\" alt=\"Testimonial by The Kyiv Post\" \/><\/div><div class=\"content-wrap\"><div class=\"pos-rel\"><div class=\"content-wrap-bg\" ><span class=\"triangle hide\"><\/span><\/div><div class=\"dfd-testimonial-content testimonial-content\" style=\"line-height: 20px; \">\"What followed (\u2026.after 1991\u2026..) was, quite possibly, the single most successful effort by an American in pursuing his particular line of business in Ukraine.\u201d<\/div><\/div><div class=\"title-wrap\"><div class=\"dfd-content-title-big testimonial-title\" style=\"\">The Kyiv Post<\/div><\/div><\/div><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"30\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 30px;\"><\/div>\n\t\t<\/div> \n\t<\/div> \n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"PressArchive of feature articles in the international press Read\"The rise and rise of Ukraine's Odessa Philharmonic, under their dynamic young American chief, Hobart Earle, must rank as one of the","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v16.7 (Yoast SEO v16.7) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Press - Odessa Phil<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/odessaphil.org\/en\/press\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Press\" \/>\n<meta property=\"og:url\" content=\"https:\/\/odessaphil.org\/en\/press\/\" \/>\n<meta property=\"og:site_name\" content=\"Odessa Phil\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/pg\/odessaphil.official\/\" \/>\n<meta property=\"article:modified_time\" content=\"2019-08-13T17:26:46+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/odessaphil.org\/#organization\",\"name\":\"Odessa Philharmonic Orchestra\",\"url\":\"https:\/\/odessaphil.org\/\",\"sameAs\":[\"https:\/\/www.facebook.com\/pg\/odessaphil.official\/\",\"https:\/\/www.instagram.com\/opo_odessa\/\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/odessaphil.org\/#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/odessaphil.org\/wp-content\/uploads\/2019\/02\/logo200x140.png\",\"contentUrl\":\"https:\/\/odessaphil.org\/wp-content\/uploads\/2019\/02\/logo200x140.png\",\"width\":200,\"height\":140,\"caption\":\"Odessa Philharmonic Orchestra\"},\"image\":{\"@id\":\"https:\/\/odessaphil.org\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/odessaphil.org\/#website\",\"url\":\"https:\/\/odessaphil.org\/\",\"name\":\"Odessa Philharmonic Orchestra\",\"description\":\"Odessa Philharmonic Orchestra\",\"publisher\":{\"@id\":\"https:\/\/odessaphil.org\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/odessaphil.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/odessaphil.org\/en\/press\/#webpage\",\"url\":\"https:\/\/odessaphil.org\/en\/press\/\",\"name\":\"Press - Odessa Phil\",\"isPartOf\":{\"@id\":\"https:\/\/odessaphil.org\/#website\"},\"datePublished\":\"2019-02-02T11:30:11+00:00\",\"dateModified\":\"2019-08-13T17:26:46+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/odessaphil.org\/en\/press\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/odessaphil.org\/en\/press\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/odessaphil.org\/en\/press\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/odessaphil.org\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Press\"}]}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Press - Odessa Phil","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/odessaphil.org\/en\/press\/","og_locale":"en_US","og_type":"article","og_title":"Press","og_url":"https:\/\/odessaphil.org\/en\/press\/","og_site_name":"Odessa Phil","article_publisher":"https:\/\/www.facebook.com\/pg\/odessaphil.official\/","article_modified_time":"2019-08-13T17:26:46+00:00","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"11 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Organization","@id":"https:\/\/odessaphil.org\/#organization","name":"Odessa Philharmonic Orchestra","url":"https:\/\/odessaphil.org\/","sameAs":["https:\/\/www.facebook.com\/pg\/odessaphil.official\/","https:\/\/www.instagram.com\/opo_odessa\/"],"logo":{"@type":"ImageObject","@id":"https:\/\/odessaphil.org\/#logo","inLanguage":"en-US","url":"https:\/\/odessaphil.org\/wp-content\/uploads\/2019\/02\/logo200x140.png","contentUrl":"https:\/\/odessaphil.org\/wp-content\/uploads\/2019\/02\/logo200x140.png","width":200,"height":140,"caption":"Odessa Philharmonic Orchestra"},"image":{"@id":"https:\/\/odessaphil.org\/#logo"}},{"@type":"WebSite","@id":"https:\/\/odessaphil.org\/#website","url":"https:\/\/odessaphil.org\/","name":"Odessa Philharmonic Orchestra","description":"Odessa Philharmonic Orchestra","publisher":{"@id":"https:\/\/odessaphil.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/odessaphil.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/odessaphil.org\/en\/press\/#webpage","url":"https:\/\/odessaphil.org\/en\/press\/","name":"Press - Odessa Phil","isPartOf":{"@id":"https:\/\/odessaphil.org\/#website"},"datePublished":"2019-02-02T11:30:11+00:00","dateModified":"2019-08-13T17:26:46+00:00","breadcrumb":{"@id":"https:\/\/odessaphil.org\/en\/press\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/odessaphil.org\/en\/press\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/odessaphil.org\/en\/press\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/odessaphil.org\/en\/"},{"@type":"ListItem","position":2,"name":"Press"}]}]}},"_links":{"self":[{"href":"https:\/\/odessaphil.org\/en\/wp-json\/wp\/v2\/pages\/22145"}],"collection":[{"href":"https:\/\/odessaphil.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/odessaphil.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/odessaphil.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/odessaphil.org\/en\/wp-json\/wp\/v2\/comments?post=22145"}],"version-history":[{"count":14,"href":"https:\/\/odessaphil.org\/en\/wp-json\/wp\/v2\/pages\/22145\/revisions"}],"predecessor-version":[{"id":23222,"href":"https:\/\/odessaphil.org\/en\/wp-json\/wp\/v2\/pages\/22145\/revisions\/23222"}],"wp:attachment":[{"href":"https:\/\/odessaphil.org\/en\/wp-json\/wp\/v2\/media?parent=22145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}