{"id":22075,"date":"2019-02-02T12:10:13","date_gmt":"2019-02-02T09:10:13","guid":{"rendered":"http:\/\/odessaphil.org.ua\/die-presse-vienna\/"},"modified":"2019-05-08T18:57:08","modified_gmt":"2019-05-08T15:57:08","slug":"die-presse-vienna","status":"publish","type":"page","link":"https:\/\/odessaphil.org\/en\/die-presse-vienna\/","title":{"rendered":"&#8220;Die Presse&#8221; (Vienna)"},"content":{"rendered":"<div  class=\"vc_row vc-row-wrapper \"  data-parallax_sense=\"30\"><div class=\"wpb_row row\" >\n\t<div class=\"twelve columns vc-column-extra-class-69e51cfcb664f\"  data-parallax_sense=\"30\">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"10\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 10px;\"><\/div><div class=\"dfd-heading-shortcode\"><div class=\"dfd-heading-module-wrap  text-center style_01 \" id=\"dfd-heading-69e51cfcb70d2\" ><div class=\"inline-block\"><div class=\"dfd-heading-module\"><h2 class=\"dfd-title \" style=\"\">&#8220;Die Presse&#8221; (Vienna)<\/h2><div class=\"dfd-heading-delimiter\"><\/div><\/div><\/div><\/div><script type=\"text\/javascript\">(function($) {$(\"head\").append(\"<style>#dfd-heading-69e51cfcb70d2 .dfd-heading-module {}#dfd-heading-69e51cfcb70d2 .dfd-heading-delimiter {border-bottom-style: solid;width: 80px;border-bottom-width: 1px;}#dfd-heading-69e51cfcb70d2 .dfd-heading-delimiter {margin-top: 10px;margin-bottom: 10px;}<\/style>\");})(jQuery);<\/script><\/div><div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"10\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 10px;\"><\/div>\n\t\t<\/div> \n\t<\/div> \n<\/div><\/div><div  class=\"vc_row vc-row-wrapper vc_custom_1557330998534\"  data-parallax_sense=\"30\"><div class=\"wpb_row row\" >\n\t<div class=\"twelve columns vc-column-extra-class-69e51cfcc21a3\"  data-parallax_sense=\"30\">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h5>Can an orchestra from outside of Vienna play a viennese waltz?<\/h5>\n\n\t\t<\/div> \n\t<\/div> \n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>On January 30, 2001, the following review appeared in Vienna&#8217;s major daily newspaper, &#8220;Die Presse&#8221;, of the OPO&#8217;s traditional New Year&#8217;s concert<\/p>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n<\/div><\/div><div  class=\"vc_row vc-row-wrapper vc_custom_1557331009506\"  data-parallax_sense=\"30\"><div class=\"wpb_row row\" >\n\t<div class=\"six columns vc-column-extra-class-69e51cfcc3bf4\"  data-parallax_sense=\"30\">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><span style=\"color: #990000; font-size: small;\">Page 24 \u2013 Die Presse<br \/>\n<b><span style=\"font-size: medium;\">CULTURE<\/span><\/b><br \/>\nTuesday, January 30, 2001<\/span><\/p>\n<p><b>Greetings from Odessa with waltzes: a different New Year\u2019s concert<\/b><\/p>\n<p>In Ukraine, the New Year according to the Julian calendar was celebrated with Viennese waltzes<b>.<\/b><\/p>\n<p>By Markus Siber<\/p>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n\n\t<div class=\"six columns vc-column-extra-class-69e51cfcc432e\"  data-parallax_sense=\"30\">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<div id=\"dfd-single-image-69e51cfcc4901-2203\" class=\"dfd-single-image-module  image-center  dfd-img-lazy-load\" ><a href=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2019\/05\/Screen-Shot-2019-05-08-at-18.52.18-300x197.png\" title=\"Open in lightbox\" class=\"prettyPhoto\" data-thumb=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2019\/05\/Screen-Shot-2019-05-08-at-18.52.18-150x150.png\" data-rel=\"prettyPhoto[]\"><img src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 300 197'%2F%3E\" data-src=\"https:\/\/odessaphil.org\/wp-content\/uploads\/2019\/05\/Screen-Shot-2019-05-08-at-18.52.18-300x197.png\" width=\"300\" height=\"197\"  alt=\"Image module\"  \/><\/a><\/div>\n\t\t<\/div> \n\t<\/div> \n<\/div><\/div><div  class=\"vc_row vc-row-wrapper vc_custom_1557331020880\"  data-parallax_sense=\"30\"><div class=\"wpb_row row\" >\n\t<div class=\"twelve columns vc-column-extra-class-69e51cfcc6970\"  data-parallax_sense=\"30\">\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>The traditional musical New Year\u2019s greetings from the Golden Hall of the Vienna Musikverein have found a response in Ukraine. The Odessa Philharmonic Orchestra, who for a while now have been performing Viennese music on a regular basis, programmed its own series of new year\u2019s concerts this year. The most vivid difference from the Vienna original: in accordance with Ukrainian tradition, the concert series began in the middle of January &#8211; together with the new year according to the Julian calendar. The initiator of these Strauss concerts is Hobart Earle. As Music Director of the Odessa Philharmonic Orchestra, over the years the American in Ukraine has grown to be a kind of musical ambassador for Vienna. Viennese music grew close to his heart during his studies in Vienna and now he shares his admiration for it with an ever-growing audience he has in Ukraine. In the case of Strauss, due to high demand, even extra concerts had to be organized. The second of two New Year\u2019s concerts in Kiev showed that Earle and his orchestra have almost perfected the idiom of the Viennese waltz. The musicians brought the scores to life with great concentration and did not overlook all the subtleties not written in the music. Earle presented elegant waltz-tableaus and sustained the atmosphere for the audience through refined phrasing. Above all in the polka \u201cLeichtes Blut\u201d, the rhythmic impulse in the orchestra functioned like clockwork, for which the ensemble was applauded generously at intermission. The second half of the program began with an atmospheric performance of the \u201cFledermaus\u201d Overture followed by a heartfelt interpretation of the \u201cKuenstlerleben\u201d Waltz as well as other polkas, waltzes and marches. And then began the ritual that has become familiar from the Vienna New Year\u2019s concerts: through sustained applause the audience demanded the \u201cBlue Danube\u201d Waltz, received the conductor\u2019s as well as the orchestra\u2019s new year\u2019s wishes with great enthusiasm, and waited impatiently for the opportunity to \u201ctake part\u201d in the performance of the \u201cRadetsky March\u201d with hands and feet. Earle was able to hold the Kiev Philharmonic Hall audience skillfully on the beat, having them already well on his side through his entertaining moderation, and obtained a succulent, pleasant sound from the musicians. When the Odessa Philharmonic Orchestra comes on tour to Austria in March, thanks to the generous support of \u201cShustoff\u201d, producers of liquor, one can presume the ensemble might bring one or the other Strauss composition along in their luggage. In that case, all Vienna will have the opportunity to assure itself that the music of the Strauss dynasty is preserved with great charm and dedication also outside of the borders of Austria.<\/p>\n\n\t\t<\/div> \n\t<\/div> <div class=\"dfd-spacer-module\"  data-units=\"px\" data-wide_size=\"30\" data-normal_resolution=\"1024\" data-normal_size=\"\" data-tablet_resolution=\"800\" data-tablet_size=\"\" data-mobile_resolution=\"480\" data-mobile_size=\"\" style=\"height: 30px;\"><\/div>\n\t\t<\/div> \n\t<\/div> \n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"\"Die Presse\" (Vienna) Can an orchestra from outside of Vienna play a viennese waltz? On January 30, 2001, the following review appeared in Vienna's major daily newspaper, \"Die Presse\", of","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v16.7 (Yoast SEO v16.7) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&quot;Die Presse&quot; (Vienna) - Odessa Phil<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/odessaphil.org\/en\/die-presse-vienna\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;Die Presse&quot; (Vienna)\" \/>\n<meta property=\"og:url\" content=\"https:\/\/odessaphil.org\/en\/die-presse-vienna\/\" \/>\n<meta property=\"og:site_name\" content=\"Odessa Phil\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/pg\/odessaphil.official\/\" \/>\n<meta property=\"article:modified_time\" content=\"2019-05-08T15:57:08+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/odessaphil.org\/#organization\",\"name\":\"Odessa Philharmonic Orchestra\",\"url\":\"https:\/\/odessaphil.org\/\",\"sameAs\":[\"https:\/\/www.facebook.com\/pg\/odessaphil.official\/\",\"https:\/\/www.instagram.com\/opo_odessa\/\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/odessaphil.org\/#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/odessaphil.org\/wp-content\/uploads\/2019\/02\/logo200x140.png\",\"contentUrl\":\"https:\/\/odessaphil.org\/wp-content\/uploads\/2019\/02\/logo200x140.png\",\"width\":200,\"height\":140,\"caption\":\"Odessa Philharmonic Orchestra\"},\"image\":{\"@id\":\"https:\/\/odessaphil.org\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/odessaphil.org\/#website\",\"url\":\"https:\/\/odessaphil.org\/\",\"name\":\"Odessa Philharmonic Orchestra\",\"description\":\"Odessa Philharmonic Orchestra\",\"publisher\":{\"@id\":\"https:\/\/odessaphil.org\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/odessaphil.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/odessaphil.org\/en\/die-presse-vienna\/#webpage\",\"url\":\"https:\/\/odessaphil.org\/en\/die-presse-vienna\/\",\"name\":\"\\\"Die Presse\\\" (Vienna) - Odessa Phil\",\"isPartOf\":{\"@id\":\"https:\/\/odessaphil.org\/#website\"},\"datePublished\":\"2019-02-02T09:10:13+00:00\",\"dateModified\":\"2019-05-08T15:57:08+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/odessaphil.org\/en\/die-presse-vienna\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/odessaphil.org\/en\/die-presse-vienna\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/odessaphil.org\/en\/die-presse-vienna\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/odessaphil.org\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"&#8220;Die Presse&#8221; 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